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Speculating about speculative fiction

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I’ve always wondered whether the term "speculative fiction" wasn’t just a euphemism for people who can’t tolerate the overt geekiness of the term "science fiction" or, even worse, "sci-fi," but Chris Schluep -- an editor at Ballantine/Del Ray, Random House’s SF/F imprint -- kinda confirms that:

The first author I acquired as an editor was China Miéville, who -- while being an unapologetic genre geek -- is a very accomplished writer. His style is often referred to as "speculative fiction," which I think is a nice way of saying three things: 1. that it's a little weird; 2. that it's better than average; and 3. that there aren't any dwarves or elves in it.

There ya go: weird, but no elves. That’s speculative fiction.

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I remember reading a piece by Heinlein lamenting the fact that "speculative fiction" lost out to "science fiction" as a general genre identifier. (And I believe he was writing in the early '60s, and it was already a battle fought and lost long ago.) IIRC, his main problem with the "science fiction" term is that it often caused him problems trying to sell stories that, while perfectly consistent with his other work, didn't have any of the elements people associated with "sci-fi" - no ray guns or rocket ships, not in the future, no aliens, etc. (And on the other hand, still "too weird" for the "mainstream.") It'd be nice if "speculative fiction" was the overarching term, I think. It's a shame we humans love putting things in boxes, but at least it's a bigger box.

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I'm MaryAnn Johanson, writer and editor, and this is my scratch pad, idea-jotter-downer, portfolio and resume, and general hang-out blog.

• film/TV/pop culture critic at FlickFilosopher.com
• contributor, Film.com
• member, Online Film Critics Society
• member, Alliance of Women Film Journalists
• member, International Academy of Digital Arts and Sciences

Location: New York City
[email me]

photo by David Speranza

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